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11/01/06 - MTS CENTRE,
WINNIPEG, MAN Review
by Simone Gilles: Adams impresses with retro rock A
crowd of 9500 amassed at the MTS Centre last night to see Canadian rock icon Bryan
Adams perform at the first stop on his tour across western Canada. With
the stage bare, apart from stage lights and three big screen TVs, the show
lacked the good gaudiness of the recent Aerosmith concert. Clearly the focus was
to be on the music that has entertained Canadian fans for the past 25 years. The
singer/songwriter was greeted by enthusiastic applause and the crowd took to their
feet as Adams opened the show with Room Service the title song from
his 2004 release. Dressed in a tee-shirt and jeans,
and with his signature raspy voice, it was evident that Adams has no problem connecting
with his audience, who sang along with every tune. And these were not just children
of the 80 harking back to their adolescent years. The crowd was ranged in
age from teen to senior, all of them clapping, singing and dancing. Adams
seems to possess the same kind of blue collar appeal for Canucks as Springsteen
does for Americans. He invited the crowd to contribute
to of 18 Till I Die, which they did with gusto. The sing-a-long continued
with Im Coming Back to You, and Cant Stop This Thing
We Started. As the crowd responded appreciatively
to each song, Adams began to build energy in the Phone Booth saving some of his
biggest hits for halfway through show. He banged off back-to-back favorites including
Cant Stop This Thing We Started, Back to You,
The Summer of 69, Everything I Do (I Do It for You)
and Cuts Like a Knife, getting the crowd wired on nostalgia. Adams
selected a member of the audience to join him on stage to sing Baby When
Your Gone (most recently re-recorded with fellow Canadian Pam Anderson).
Rosa, a Royal Bank employee (a tiny woman, standing a full foot shorter
than 58 Adams) took the stage and the two dueted, bumped and ground.
Both the crowd and Adams must have done some
endurance training, as no less than 28 songs were played over two straight hours
(unless you consider two frenzied two-minute-long standing ovations a break).
In the final moments of the evening, Adams sang a solo rendition of All
For Love, then finished where he began with Room Service The
Canadian rock superstar may have been in the game for more than two decades, but
last night performance showed that his enduring power and energy can still bring
a crowd a crowd to its feet again and again. A high
falsetto greeted the audience, as Daniel Powter launched the evening as the opening
act for Bryan Adams. Powter is a fellow Canadian who has recently hit it
big in the U.K. with success that seems to be sweeping westward. Though
raised in Okanagan Valley in British Columbia, the singer-songwriter has become
a sensation performing and touring in Europe for the last few years. Last nights
performance at the MTS Centre was his debut North American appearance. This
is the very first show Ive played in Canada, said Powter sitting at
a keyboard at centre stage under a simple spotlight. Combining
his ability to hit notes, with pop tunes and melancholy lyrics, his sound is slightly
reminiscent of Maroon 5. The set featured seven numbers including his most well
known song Bad Day which stayed on UK top 10 charts for 13 weeks.
Accompanied by a bassist, drummer and another keyboardist,
Powter sat at his own keyboard, centre stage dressed simply in a Grey hoodie,
jeans and green army cap Powter seemed to be truly
excited to be playing for the appreciative Winnipeg crowd and repeatedly thanked
Adams for having him on the tour. ********** 
Review
by Melissa Martin (Winnipeg Free Press): Bryan Adams MTS
Centre January 11 Attendance: 9,500 WHILE they
are no longer kids and thus the song does not technically apply to them, Bryan
Adams' fans still wanna rock. More than 20 years since he burst onto the international
scene with his 1982 breakthrough, Cuts Like A Knife, last night at the MTS Centre
the Vancouverite rocker proved he can still pack 'em in and pump 'em up. In
fact, while most icons tend to lose audiences as time goes by, the 10,000 fans
-- mostly female, mostly over 35 -- who packed into the arena became Adams' largest
Winnipeg audience ever, as the singer himself noted from the stage. At
exactly 8:30 p.m., Adams and his five-piece band strode on stage and kicked off
the set with 2004's Room Service before segueing into older hits like 1984's Somebody
and This Time (from 1982's Reckless). For the next
half hour, Adams whipped the crowd into their very polite version of a frenzy,
dishing out tunes like 18 Til I Die and Let's Make A Night To Remember. For the
first half-hour, big guitars and big vocals ruled. After wrapping up Can't Stop
This Thing We Started, Adams paused to speak to the crowd for the first time.
That was when the depth of his effortless, soft-spoken charisma shone the brightest.
After thanking the audience, Adams even took a minute
to memorialize "when the typhoon came in"; in other words, his famously
disastrous 1992 concert at Birds Hill Park that was cut short by torrential rains.
For better or for worse, little about Adams has changed
since 1980 (or for that matter, since he last stopped through Winnipeg in January
of 2000). Nowadays his face is a even craggier and
his attitude seems pleasantly safe, not sexy. But his rakish rasp and boyish charm
remain pristine. That's the reason that the 46-year-old
Adams has tenaciously hung onto his pop icon status (especially in Europe and
Canada) despite a successively more saccharin series of albums since 1991. Because
let's face it: there were few in last night's audience who were hoping to hear
recent tunes like Open Road (though they did anyway).
Luckily,
Adams is currently touring in support of Anthology, his new hits collection, and
so he left few popular stones unturned. Halfway through
the set, Adams put his two most celebrated hits -- karaoke staple Summer Of 69
and ubiquitous 1991 ballad (Everything I Do) I Do It For You -- back to back,
eliciting huge cheers and enthusiastic singing from the audience. For When You're
Gone, Adams pulled a fan from the audience to fill in for his 1998 duet partner,
Sporty Spice Melanie Chisolm. As the set drew to
a close, Adams and his band ripped through classic teenage rebellion song Kids
Wanna Rock, and followed it up with It's Only Love, the 1984 rocker he originally
sang with Tina Turner, smiling briefly as a thrown brassiere landed smack dab
on the end of his guitar. Following the regular set,
Adams was brought back to the stage for two encores a wave of cheering so loud
that even seasoned concert reviewers were knocked backwards. The
first encore featured Cloud No. 9 and Run To You, while the second was a solo
acoustic set that included Straight From The Heart and All For Love, his heartwarming
collaboration with Sting and Rod Stewart. Former
Vancouverite Daniel Powter opened up the show with 40 minutes of soaring Remy
Shand-meets-Elton John piano pop stylings from his eponymous debut album. 4
out of 5 stars ********** 
Review
by Rob Williams (Winnipeg Sun): A Night to Remember One
of the smartest moves Bryan Adams ever made was to write the song 18 Til I Die.
The "I'll never grow up" anthem gives the
46-year-old Vancouver superstar carte blanche to continue cranking out the hits
he wrote in his younger days without coming off as some desperate aging rocker
trying to reclaim his glory years. And Adams looked
anything but desperate last night at the MTS Centre. His
biggest hits may be more than a decade behind him, but he still managed to draw
9,500 people to the arena, making the concert his largest local show ever, not
counting his rainy 1992 gig at Birds Hill Park. "That
got cut short because the typhoon came in that night, so we're making up for lost
time with lots of music tonight," he said. Adams
didn't lie. He's touring in support of his new greatest hits album Anthology,
so it was like listening to a jukebox with no filler as he and his four-piece
backing band cranked out more than 20-odd years of hits. After
opening with the title track off his 2004 album Room Service, he got the crowd
out of their seats with Somebody off the 1984's multi -platinum Reckless and This
Time from 1983's Cuts Like a Knife. From there it
was a trip down CanRock lane with 18 Til I Die and Can't Stop This Thing We Started
building up to a slightly reworked version of Summer of '69, which he didn't even
need to sing since the crowd belted out every word. After
the anthemic rocker he grabbed an acoustic guitar for the overplayed cringe-inducing
ballad (Everything I Do) I Do It For You, stopping the momentum firmly in its
tracks. For Adams, the song was an uber-smash around
the world, but also singled the end of his gritty rock phase. Thankfully after
the tear-jerker he cranked it up again for the classic Cuts Like a Knife. Adams
has only released three albums in the past 10 years, with few hits to speak of,
so most of the strongest material last night was from his '80s collaborations
with Jim Vallance when he was still considered a rock 'n' roll guy. He
still looks like one though. Adams may hobnob with British royalty and Hollywood
stars like Pamela Anderson, but he still comes across as one of the most unpretentious
musicians around. His wardrobe consisted of a simple black T-shirt, blue jeans
and sneakers. At press time almost 90 minutes into
his planned two-hour set, Adams had just finished the duet When You're Gone with
a female member of the audience and blazed through an electrifying version of
Kids Wanna Rock. According to past set-lists, he was saving Run to You, Straight
From the Heart and All for Love for the encore. Up-and-coming
Vernon B.C. native Daniel Powter opened the show with a half-hour set of soulful
Elton John-esque keyboard-based pop, given extra weight by his rhythm section
who helped give the material a funky touch. |